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Caving Out a Legacy, The Sun Paper

2015 April 12
by Sebastian

It’s my great surprise and honor to be sharing ink in Sunday The Baltimore Sun News Paper this morning with, not only #Rinehart & Oprah Winfrey, but fellow Baltimore-boy,  Mike Rowe !!! #rad
You can check out the article, Carving Out a Legacy, about the Walters Art Museum show online too: http://www.baltimoresun.com/entertainment/arts/bs-ae-walters-rinehart-20150411-story.html#page=1

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Walters Art Museum Documentary Film

2015 April 8
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Rough Stone to Living Marble

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The video documentary, produced by curator Jenny Carson, that is currently on view in the Walters Art Museum show, Rinehart’s Studio: Rough Stone to Living Marble, can be seen here by clicking this link or the image above. The short film about the process of creating stone sculptures and the relationship between the “sculptor” and the “carver” focuses on Rineharts works, a stone sculpture fabrication shop in Italy, and my own studio here in Baltimore at Hilgartner Natural Stone. If you’ve got 5 mins– check it out! Better yet–go see the show!

Rough Stone to Living Marble

Written by: Jenny Carson

Cinematography: Tarek Turkey

Editing: LauraBaker

Narrator: Dillin Olshonsky

 

Feature in HOME & DESIGN

2015 March 25
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by Sebastian
Carved in Stone by Tina Coplan

Carved in Stone
by Tina Coplan

An article about my work, by Tina Coplan, published in the March/April 2015 issue of HOME & DESIGN magazine.

 

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Glove: Engineer

2015 February 15
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Glove: Engineer, Carrara, 5 x 7.5 x 11 in, Private Collection

Glove: Engineer, Carrara, 5 x 7.5 x 11 in, Private Collection

 

 

Finally some killer photos by Geoff Graham of the second glove in the series focusing on some of the hand-wear I’ve accumulated. This  railroad “engineer” style glove reminds me of the type of gloves my grandfather wore. His family immigrated to the States and worked on the railroads in Upstate NY.

The leather around the fingertips and palm is thick and coarse, while the upper cuff and back of the hand is thinner cotton, to allow for cooling in a hot environment.

Initially I thoughthat I would focus on the actual colored striped patter on the cotton, however I decided that (as ever) texture trumps color–and so I decided to try to illustrate the fine herring bone texture of the material. It was pretty painstaking, but I’m glad I went for it. It was certainly easier work than shoveling coal…

RADICAL INTENT, Gallery 151, NYC, Feb 2015

2015 January 21
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by Sebastian

 

OPENING RECEPTION: THURSDAY, FEB 5TH 6-9PM | 132 WEST 18TH ST, NYC | GALLERY151.COM

RadicalIntentDownload radicalintent_flier.

3 Makers, UNC Asheville, March 2015

2015 January 20
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by Sebastian

MarioThis guy, his buddy, Kermit the Frog, and some other former-Baltimore-stair-steps will be headed to the S. Tucker Cooke Gallery at UNC Asheville for the show “3 Makers,” with Jackson Martin & Stacy Lee Webber.

Opening reception, Thursday, March 5 th, 6-8pm, preceded by my artist talk at 5pm in the Humanities Lecture Hall.

HAND/MADE, Decker Gallery, MICA, Feb 2015

2015 January 15
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by Sebastian

HAND/MADE

 

HAND/MADE

Opening Reception Friday, February 6th, 5-8pm

MICA’s Decker Gallery, Fox Building, 1301 W Mount Royal Ave, Baltimore, Maryland 21217

 

Sebastian’s recent work, Icon: Sam the Eagle, will be on display with the tools and models used for it’s creation.

MICA’s Exhibition Development Seminar (EDS) students present HAND / MADE, an art show juxtaposing an original 19th-century marble sculpture by artist and former MICA student William Henry Rinehart with 3-D, performance and video works by contemporary sculptors and interdisciplinary artists. Exhibited in MICA’s Fox Building: Decker Gallery (1303 W. Mount Royal Ave.) from Friday, Jan. 30-Sunday, March 15HAND / MADE makes vital connections between traditional methods employed by artists working with 19th-century studio artisan teams and collaborative practices in contemporary studios. A reception will take place Friday, Feb. 6, 5-8 p.m.

HAND / MADE explores how sculptures are seldom the result of a simple transaction between a single artist, an idea and a given medium,” said EDS co-curator and class spokesperson Adenike Adelekan ’15 (art history, theory, and criticism). “The methods and practices that are sometimes used when creating a sculpture can involve multiple people beyond the artist. This can cause tension regarding the complex issue of authorship. Our exhibition aims to investigate this on-going discussion.”

The EDS class will show work from six contemporary artists, all with ties to MICA, of which five have been commissioned for new work. Fiber faculty member Annet Couwenberg,Nancy Daly ’11 (Photographic & Electronic Media), Director of the Rinehart School of Sculpture Maren HassingerRichard Vosseller ’95 (general fine arts) and Megan Van Wagoner ’00 (Mount Royal School of Art) are creating works that respond to Rinehart’s most reproduced sculpture, Sleeping Children. Each artist has been asked to reflect on the relationship between individual creative expression and artistic collaboration-and what it means when others’ labor is required to realize an artwork. MICA’s own Sleeping Childrenwill be displayed alongside the commissioned pieces, allowing the audience to draw connections from the past to the present. Also on display will be contemporary marble work by Sebastian Martorana ’08 (Rinehart School of Sculpture), with his tools and maquettes (or scale models) to help viewers visualize the traditional carving process.

 

 

Some Social Media

2014 December 8
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by Sebastian

With the incredibly generous help of my wife I recently started an Instagram account in addition to the existing Facebook Page. To be honest, these stay far more current than the website, simply because they operate right out of my iPhone– which lives in my pocket–in my studio.    Ya know– just like Michaelangelo and Bernini . . .  right?

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A New Icon: Sam

2014 December 4
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I was recently asked by pair of supportive collectors to revisit a series I began a few years ago. The latest in the Icon Series is based on, American Icon and Muppet, Sam the Eagle.

Sam occupies a unique place in the wacky crowd that is the Muppets. He stands in as the ironic voice of conservatism and reason against the backdrop of frenetic chaos. Some of my first memories of the Muppets involve Sam as a disgruntled participant  in the Tit Willow song, deadpanning the part of the Dicky Bird– I had it on vinyl for my Fisher Price turntable.

I feel that Sam was kind of the vehicle for the writers to speak slyly against censors and non-progressives in a way that was smart, funny, wry satire before The Daily Show  and, ultimately, The Colbert Report perfected it. In a double-headed manner Sam expounds the necessity of “the noble eagle, the good old values, the wisdom of the Founding Fathers” in a way that is seen by certain political groups– albeit with out the irony.  Throughout Sam’s tenure as a kind of disapproving-uncle-figure he avoided ever becoming a villain (more recently playing the role of a hero in the latest Muppet movie). So I chose to depict him in the style of Emperor Hadrian, one of the more benevolent (relatively speaking), if not initially bumbling, rulers of the Roman Empire.

Sam actually appeared for the first time in 1975 in the second Muppet Show: Sex and Violence, the series’ second pilot. Note: in the background, often over Sam’s right shoulder, there is a marble bust that is conspicuously attired with random bits of costuming each time it appears in the shot– hah!  Classic!

Time for some Professional Photography

2014 December 2
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by Sebastian

So, I decided that while I may be an artist, I am definitely no photographer. I’ve been flat out trying to get some pieces completed for looming delivery dates– it was time to bring in a pro. So I was really stoked to get Geoff Graham to come down to my studio to photo document the latest and a few older pieces too. See below. If you are in need of some really high quality photos, I strongly recommend! http://phinium.com/