This guy, his buddy, Kermit the Frog, and some other former-Baltimore-stair-steps will be headed to the S. Tucker Cooke Gallery at UNC Asheville for the show “3 Makers,” with Jackson Martin & Stacy Lee Webber.
Opening reception, Thursday, March 5 th, 6-8pm, preceded by my artist talk at 5pm in the Humanities Lecture Hall.
Opening Reception Friday, February 6th, 5-8pm
MICA’s Decker Gallery, Fox Building, 1301 W Mount Royal Ave, Baltimore, Maryland 21217
Sebastian’s recent work, Icon: Sam the Eagle, will be on display with the tools and models used for it’s creation.
MICA’s Exhibition Development Seminar (EDS) students present HAND / MADE, an art show juxtaposing an original 19th-century marble sculpture by artist and former MICA student William Henry Rinehart with 3-D, performance and video works by contemporary sculptors and interdisciplinary artists. Exhibited in MICA’s Fox Building: Decker Gallery (1303 W. Mount Royal Ave.) from Friday, Jan. 30-Sunday, March 15, HAND / MADE makes vital connections between traditional methods employed by artists working with 19th-century studio artisan teams and collaborative practices in contemporary studios. A reception will take place Friday, Feb. 6, 5-8 p.m.
“HAND / MADE explores how sculptures are seldom the result of a simple transaction between a single artist, an idea and a given medium,” said EDS co-curator and class spokesperson Adenike Adelekan ’15 (art history, theory, and criticism). “The methods and practices that are sometimes used when creating a sculpture can involve multiple people beyond the artist. This can cause tension regarding the complex issue of authorship. Our exhibition aims to investigate this on-going discussion.”
The EDS class will show work from six contemporary artists, all with ties to MICA, of which five have been commissioned for new work. Fiber faculty member Annet Couwenberg,Nancy Daly ’11 (Photographic & Electronic Media), Director of the Rinehart School of Sculpture Maren Hassinger, Richard Vosseller ’95 (general fine arts) and Megan Van Wagoner ’00 (Mount Royal School of Art) are creating works that respond to Rinehart’s most reproduced sculpture, Sleeping Children. Each artist has been asked to reflect on the relationship between individual creative expression and artistic collaboration-and what it means when others’ labor is required to realize an artwork. MICA’s own Sleeping Childrenwill be displayed alongside the commissioned pieces, allowing the audience to draw connections from the past to the present. Also on display will be contemporary marble work by Sebastian Martorana ’08 (Rinehart School of Sculpture), with his tools and maquettes (or scale models) to help viewers visualize the traditional carving process.
With the incredibly generous help of my wife I recently started an Instagram account in addition to the existing Facebook Page. To be honest, these stay far more current than the website, simply because they operate right out of my iPhone– which lives in my pocket–in my studio. Ya know– just like Michaelangelo and Bernini . . . right?
So, I decided that while I may be an artist, I am definitely no photographer. I’ve been flat out trying to get some pieces completed for looming delivery dates– it was time to bring in a pro. So I was really stoked to get Geoff Graham to come down to my studio to photo document the latest and a few older pieces too. See below. If you are in need of some really high quality photos, I strongly recommend! http://phinium.com/
October 17 – November 23, 2014
Strange Bedfellows Curated by Blair Murphy
A group exhibition about intimacy, Strange Bedfellows explores the way proximity to others–whether physical, emotional, or intellectual–shapes our individual identities, civic life, technological development, and physical spaces.
Ingrid Burrington (Brooklyn, NY), Bean Gilsdorf (San Francisco, CA), Katie Hargrave (Chattanooga, TN), Leslie Holt (Hyattsville, MD), Benjamin Kelley (Baltimore, MD), Jennifer Levonian (Philadelphia, PA), A. Moon (Silver Spring, MD), Sebastian Martorana (Baltimore, MD), Dustin Nelson (Astoria, NY), Jacob Rhodes (Brooklyn, NY), Stephanie Williams (Alexandria, VA), Jenny Walton (Washington, DC).
ABOUT THE EXHIBITION
The word intimacy refers most often to human relationships, acting as a metric of the physical closeness, emotional bonds, or personal knowledge shared by two people. It can describe the accumulation of knowledge about complex topics or–as in the phrase intimately aware–a familiarity with difficult truths. While intimacy is often reciprocal, it’s not unusual to be bound tightly to objects, people, or knowledge we would prefer to avoid or forget.
Highlighting artists whose work touches on intimacy in complex and unexpected ways, Strange Bedfellows will explore the way proximity to others–whether physical, emotional or intellectual—shapes our individual identities, civic life, technological development, and physical spaces.
ABOUT THE CURATOR
Blair Murphy is a curator, writer, and cultural worker based in New York City and a 2014-2015 Helena Rubenstein Curatorial Fellow of the Whitney Independent Study Program. Before moving to New York, she spent seven years in Washington, DC working as an administrative jack-of-all-trades for various arts organizations, including Washington Project for the Arts (WPA), DC Arts Center (DCAC), and Provisions Library. She was Program Director at WPA from 2011 to 2013 and a curator with Sparkplug, an artist collective sponsored by DCAC, from 2008 through 2011. As a member of the collective BFAMFAPhD she collaborates with other concerned cultural workers to examine the impact of debt and precarity on the lives of creative people. She holds a BFA from Maryland Institute College of Art and an MA from Georgetown University.
Just unveiled in front of the Raven’s M & T Bank Stadium— the base for the new Ray Lewis Statue and the Moved Johnny Unitas statues, by sculptor Fred Kail, were fabricated and installed by Hilgartner Natural Stone Company. I was in charge of the bling. Try not to be blinded by the 23 karat gilded lettering while you drive by the stadium.
Obviously, as a kind of extension of the Soft Step Series, I wanted to make a sort of mini-stoop that would be more appropriate for my (then) one year old son. He loves to stoop with us, but his feet dangle uncomfortably off the full size stair steps. To be fair, at almost two years old now, he has probably already outgrown the scale of this piece . . .
This public art piece is part of the redevelopment project in the Barclay neighborhood. I was contacted by the sculpture department at MICA who was asked by the developer, Telesis Corp, to assist with reincorporating the salvaged marble stoops from the neighborhood back into the project in an artistic way. Primary in my thought process was allowing this new neighborhood to have a physical and psychological connection to its historic past. These stair treads are once again acting as a location for communal gathering for people of all ages and backgrounds. The placement of the stone was planned as to allow, for the tallest likely person, while still being usable for the shortest, keeping children in mind. The material and the fact that the checkered game surface is etched directly into the face of the stone means that they are permanent. (you can see pictures of the process below)
Though the timeline did not allow for the most complex of sculptural concepts or structures here, sometimes simple is beautiful. I am very excited to have been able to incorporate this piece of Baltimore’s past into a project for its future. I have larger and more intricate ideas for art to be included in the next phase of this development, which will include another larger adjacent park. However, I am very pleased that this piece has been positively received by the community so far. I hope that it will continue to be the kind of art piece that serves the aesthetic, cultural and functional needs of the community, becoming a destination that the neighborhood can be proud of.
They are located on Worsley St, between, Barclay St and Greenmount Ave.